Cara Goes to Hollywood: The Adventure Continues…

Here are the notes I wrote to myself this morning on my phone while waiting in the trailer for my turn on set:

I can do this.

Breathe.

This is not some test or race or desperate attempt to impress.

This is just me. Talking about the dogs I’ve fostered and how if more people fostered dogs – we could save more dogs.

This is a message I know deep in my core. It’s why I wrote the book.

Now, if my nerves could just take a seat and stay out of the way, this should be easy.

Larissa is a really cool person. This is just a conversation with her. I need to forget the cameras and audience and talk with her.

I can do this.

Breathe.

****

Later that afternoon: Back in the hotel room.

My head is spinning and I really can’t tell you if it went well or not. It went fast.

Getting to the set this morning was more challenging than I anticipated. Continue reading “Cara Goes to Hollywood: The Adventure Continues…”

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Cara Goes to Hollywood

I’m trying to go at this like it’s just a fun adventure. This going to Hollywood thing.

airport leaving

I’m channeling my daughter who took herself to Denmark for four days just because. Normally, I’m a nervous traveler – my brain fuzzes over when I see the barrage of signs in the airport. I panic over and over again. My nerves race when I give my ID and boarding pass to the security guard and I’m anxious waiting for my stuff to make it through the Xray machine—what if my loose tea looks like drugs? It’s not pretty. None of it.

Usually, I have my travel-savvy husband with me and I just follow him. I don’t have to think much, just keep track of my ID and my boarding pass and my phone (in case I get separated from him.)

Thankfully, Reagan National Airport was very straight-forward. There weren’t even any lines. I moved through seamlessly, as if I was a person who did this all the time, strolling through with my roller bag and backpack purse, confidently striding towards Gate 45.

I found an empty standing desk and plugged my computer in and right now, I could be anywhere instead of a nervous woman waiting to board a plane to LA to go to Hollywood to be on a set at Universal tomorrow. (I’ve been trying not to say that or think that too much this week – it makes my pulse race.)

My inspiring view:

airport

But now, standing here, moving over occasionally as one harried traveler after another asks me to make room for their charger on the outlet in front of me, I’m working on an attitude adjustment.

This will be fun.

This will be an adventure.

It will be a pleasant 80 degrees and sunny in California (something it hasn’t been in PA at the same time for months).

I can do this.

I’m an adult and I’m intelligent. Most importantly, I know how to ask for help. So, when I arrive at the Universal City Hilton (nice, right?), I’ll find the concierge and chat him up. I’ll figure out how I get to Gate 4 at Universal tomorrow and then I’ll find the directions I printed out (and saved as a note in my phone and bookmarked the email with the same information) and I’ll find my way to the set.

Once I’m there, I think it will all be good. Larissa, the reporter who picked my book to feature on The Home & Family Show, already feels like a real friend. She is a rescue advocate. She asked all good questions in our planning meeting. I’m excited to meet her. I even packed a copy of each of my novels to give her because she’s told me she’s a reader.

This is just another cool life experience, another adventure this book and my dogs have taken me on.

I’m ready. Ready for whatever happens.

(And if I get in a tight spot, I’ll call my daughter who can handle anything.)

Gotta run they’re calling my flight….

p.s. This feather appeared beside me on the table, but everyone who has placed their device beside me to charge it this afternoon has vanished. Should I take it? Do you think it’s a good omen?

airport feather

Hey, thanks for reading. I know you’ve got lots of options, so thanks for sharing a few of your minutes with me.

Honored,

Cara

If you’d like to know more about me, my books, and where you might run into me, check out my website, CaraWrites.com.

If you’d like to subscribe to my (sometimes) monthly e-newsletter, click here.

If you’re a dog lover, check out my other blog, Another Good Dog. And discover my latest release at AnotherGoodDog.org.

I’d love to connect with you on Facebook, twitter, or Instagram, and I’m thrilled to get email from readers (and writers), you can reach me at carasueachterberg@gmail.com.

Released Aug 2018 from Pegasus books:

Another Good Dog cover

You Really Don’t Need to Tell Them

My youngest son is a good writer.

In fact, all my kids are good writers. (so sayeth their proud mama.) But my youngest son invites me to edit his writing on occasion so I have more opportunity to read what he writes.

Like many high school students schooled in the art of the five-paragraph essay, he’s been trained to – tell them what you’re going to tell them, tell them, and then tell them what you told them.

And he’s very good at essay – particularly argumentative essay (don’t know where he gets all that passion from….)

I was comfortable with that format when I was a teenager. It made writing a little less subjective. Clear objectives make me happy. I like to know what I’m aiming at.

5 paragraph xmas

The formulas that work in essay-writing don’t apply as well to fiction writing (or memoir).

It should be more like – Continue reading “You Really Don’t Need to Tell Them”

Lay Your Truth on the Page

Every writer loves promoting their books.

Not.

I’m deep in the midst of promoting my latest book and, to tell you the truth, this time around is WAY fun. That’s because I’m sharing almost every event with a dog or two.

Dogs make everything better.

Truth.

My last three books were novels – stories I made up sitting at my laptop on long afternoons and pre-dawn writing jags. I crafted characters and lived their lives- but only in my head.

The main character in my latest book, Another Good Dog: One Family and Fifty Foster Dogs, is much more real…. Me.

So instead of dreaming up my drama, I lived it.

It’s easy to take risks when writing fiction, everyone knows you’re making it up, even if they suspect you’re actually writing about them (but changed the names and distinguishing features).

It’s another thing entirely to take risks while writing memoir. Memoir is nothing if not Continue reading “Lay Your Truth on the Page”

Give the Reader a Little Credit

“Assume they are wearing pants.”

pants

I’m not certain which famous author wrote that in an article I read in which rich and well-known writers were asked for their best piece of writing advice.

I’m also not certain how many times I’ve quoted it to creative writing students. It used to hang on a little sticky note on my computer monitor, but it’s probably lost amongst the dust bunnies behind my desk now, the sticky long since dried up.

I’m a wordy writer. If it weren’t for the countless editors who forced me to bend to their word count will, I probably never would have been published. I tend to over-tell you what’s happening, repeat myself, as it were.

When you’re writing a clever personal essay where voice is the most engaging feature, you can get away with extra words. But in fiction, readers have no patience for the writer who explains every turn of the doorknob and unfolding of a napkin.

‘Assume they are wearing pants’ means that there is much you can trust the reader to figure out on his or her own.

You don’t need to write that your character brushed his teeth or pulled on his pants or went to the potty or drove to work. You can trust your reader to figure out by the time your character ‘stepped out of the elevator on the sixth floor of the Bronson building ready to conquer the world or at least the part of the world that dealt with Fifteen-millimeter straws ’ that all of that has happened.

But maybe your character was late? You might need a few of those steps. ‘Fred brushed his teeth, as he drove, weaving in and out of his lane frustrated by the slowpoke in front of him mentally rehearsing his presentation which should have started ten minutes ago. In the elevator, he noticed his socks didn’t match and he had toothpaste on his tie.’

I still didn’t tell you that he put his pants on, but I’m pretty sure you know he’s wearing pants. Otherwise, everyone in the elevator would be staring at him, right?

Details are important, but the only details you need to include are the important ones.

Hey, thanks for reading. I know you’ve got lots of options, so thanks for sharing a few of your minutes with me.

Honored,

Cara

If you’d like to know more about me, my books, and where you might run into me, check out my website, CaraWrites.com.

If you’d like to subscribe to my (sometimes) monthly e-newsletter, click here.

If you’re a dog lover, check out my other blog, Another Good Dog.

I’d love to connect with you on Facebook, twitter, or Instagram, and I’m thrilled to get email from readers (and writers), you can reach me at carasueachterberg@gmail.com.

COMING AUGUST 7 2018 FROM Pegasus Books (available for preorder now:

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Tighten up: Nine words that weaken you writing

Some words are weak. Plain and simple. These words not only water-down your writing but mark you as a lazy writer.

lazy writer 2

In the frenzy of a first draft, we toss in these words because there isn’t time to create the perfect metaphor. The story is flying fast and furious and you just need to get the words on the page, darn it. You’ll come up with the right simile or example or label or description later. When you have time. (But who has time?)

Before you know it these words have crept in and claimed their spot like the extra pounds you put on every winter. The rest of the story is so stellar, what’s an occasional weak word?

Editing makes or breaks a piece of writing. Truth.

Search out these words and replace them with more powerful words—words that help the reader see, sense, taste, touch, smell, hear what you’re trying to say. Words that create a clear picture or definite emotion. Strong words.

So what are these words that clutter up your writing?

I’ve listed nine, but there are others. A few adverbs come to mind. Personally, I love adverbs, so I’m not taking shots at them here. The words I’m going after are worse than a clever adverb. These are words that undermine the structure of your prose. Fire up that find feature and I bet you’ll spot your personal favorites in minutes.

Thing. What is it? Animal, vegetable, mineral? Could be. Thing is the vaguest of words out there. Don’t be a lazy writer—name it.

Stuff. Another horribly weak word. What does it mean? Could be anything. Stuff leaves way too much to the imagination. Be specific.

Seem. This is one of my pet words. Seem lets you hedge your bets. It only seems that way, so don’t blame me, I could be wrong. Seem dilutes the power of the word it precedes, and powerful words are so much more interesting to the reader. Go for broke. Either it is or it isn’t, and if you’re convinced it’s somewhere in between, describe why instead of taking the cheater’s route.

That. This one is tough for most of us but read your sentence with the word and without it. If you can cut it, then do.

With: I knew that she would stop by at five.

Without: I knew she would stop by at five.

Felt.  Unless we’re talking about that fuzzy material you used for craft projects in elementary school, avoid this word. If you’re telling the reader how the character felt, you’re not showing them. Find another way.

Cheating: She felt like he hated her.

Not that great, but better: His eyes grew dark as they met hers; it sent a shiver down her spine.

Think/Thought. When writing a character’s thoughts, you can almost always drop the intro. In general, most observations are attributed to your narrator. So unless you’re writing in third person omniscient (and you really shouldn’t), you don’t need to tell the reader the thoughts belong to the character, you can show them by the way you say it or by using italics. Either way, you take out the clunky he thought that slows down the story.

She thought it would take an elephant to move that box.

It would take an elephant to move that box.

The door opened and she thought she saw the woman from the night before sitting at the bar.

The door opened. The woman from the night before sat at the bar.

Walked. Sure it’s fine. We all walk, but how boring is that when a character can strut, stumble, amble, or stroll? Don’t miss an opportunity to say so much with just one word. You cheat yourself when your characters simply walk.

Geraldine walked up the sidewalk.

Geraldine marched up the sidewalk.

Kind of or Sort of. Once again, make a decision. Either it is or it isn’t. I’ve been guilty of using both these phrases, but when I’ve done it, it’s because that’s the way the character speaks. If you aren’t writing as a teenager or timid person than cut them out.

Then. Okay, maybe there’s a time and place for then, but it’s intrinsically weak. It sounds weak. It sounds like a second grader writing their first essay. The cat ran in, then the dog did. Then the mouse did. Then I did….You can do better. You can write better.

None of these nine words/phrases are inherently evil, but if your writing is littered with them, you may want to take a closer look. Weak words water down your writing. They make your prose vague and wishy-washy.  Mealy-mouthed, even. And you wouldn’t want to be mealy-mouthed now would you?

Then people might think that your stuff seems kind of amateur, and that sort of thing can make you feel like walking away from it all.

Hey, thanks for reading. I know you’ve got lots of options, so thanks for sharing a few of your minutes with me.

Honored,

Cara

If you’d like to know more about me, my books, and where you might run into me, check out my website, CaraWrites.com.

If you’d like to subscribe to my (sometimes) monthly e-newsletter, click here.

If you’re a dog lover, check out my other blog, Another Good Dog.

I’d love to connect with you on Facebook, twitter, or Instagram, and I’m thrilled to get email from readers (and writers), you can reach me at carasueachterberg@gmail.com.

COMING AUGUST 2018 FROM Pegasus Books (available for preorder now:

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Just Found My Suspenders

I am hard at work on yet another re-write of a manuscript that I have been working on now for almost eight years.

Enough already.

You would think, wouldn’t you?

And yet I can’t give up.

When my agent tossed the latest re-write back at me insisting it needed yet another overhaul, I was crushed. Continue reading “Just Found My Suspenders”