I buckled down and got serious about my assigned reading this week, plowing through three chapters of Story Genius. The picking apart of the story writing process prickled my nerves a bit. I’ve never been good at following directions and details bore me to tears, but I pledged to read this book so I powered on.
I found myself, nodding, duh, duh, duh at some points and at other times I underlined sections like I did in American History class, thinking, “This is the part that will be on the test.”
And then I went for a run and thought about it. I don’t have time to read to be reading. My shelves are creaking with books I’m dying to read. So, what is the point here? Why am I forcing myself to read craft books? Can’t I just write? Continue reading “Nature Vs Nurture: Am I a Story Genius?”
After sharing my disdain last week, I take it all back. Digging deeper into this book, I’m finding nugget after nugget of gold.
Maybe I was a bit sensitive after her comments about pantsers (those of us who write by the seat of our pants as opposed to careful outlining). I’ve decided that Lisa Cron actually does have room for pantsers in her heart. At least my kind of pantsing.
She’s not shoving an outline down my throat (at least at this point), but she does want me to know exactly what it is my protagonist wants and what is keeping her from it. The intersection of those points is what she terms the ‘third rail.’
While I may have no idea what’s going to happen in any story I start, I do know my protagonist inside and out and am very certain of what she wants. I even know the first obstacle which will throw her into a tailspin and start my story. After that, though, all bets are off, but inevitably obstacle after obstacle will present itself.
In my novel Girls’ Weekendthere were three protagonists (although Cron has helped me see that there is actually an ‘alpha protagonist’) and I knew what those women wanted (even though not all of them did) and what stood in their way. In reality, looking back, that could have been three books. A nice little series. Coulda, woulda, shoulda.
So, yeah, enjoying Story Genius.
The other books are also inspiring me, even Donald Maass. Here’s a line I’ve been ruminating on from Fire in Fiction:
“Like a handshake, an opening and closing line can create impressions and expectations. They can set a tone.”
I’ve gone back and begun looking at each chapter and studied my opening and closing lines. It’s one way to be certain my story is bringing the reader along purposefully. He also talks about being certain there’s a purpose in every scene, not just artfully rendered sentences. I’m a serious proponent of that direction, and I chuckled at his line about the purpose not having to be obvious. There’s no need to “squat atop it like an elephant on an egg.” Totally going to steal that line at some point.
And then this from Fierce on the Page:
“This is the power of the written word. As we take in a story that affects us, we meet ourselves more deeply.”
Yes. That’s exactly it.
Natalie Goldberg echoes this sentiment:
“A responsibility of literature is to make people awake, present, alive.”
Doing all this reading about craft and purpose and style and function some days makes my head spin a bit and makes me feel like not only do I not know what I’m doing, but maybe I should apply for a job at the new Burger King that just opened in town. But Jordan Rosenfeld was there to catch me when she wrote:
“Trust your gut about what resonates and what does not. Know that you’ll know what to cut and what to keep…..You will find the alive passages, and you can even choose to build on them. Those are the words you are meant to write; similarly, the life that flows is the one you’re meant to live.”
I think she might have more faith in me that I have in myself, but I’ll borrow it for now.
May the power of literature change your life this week.
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